2009/12/09

of whales, the moon and men


"Legendary cinéma vérité filmmakers Pierre Perrault and Michel Brault were attracted to Île-aux-Coudres for two reasons: the language of the people who lived on this small island in St. Lawrence and the whales. For centuries the fishermen of Île-aux-Coudres had caught belugas. The souls of the dead were invoked for a successful catch, and a unique technique was used: the men sank a trap of saplings into offshore mud at low tide to capture the white whale, a tradition that was abandoned in 1920. This feature-length film made in 1962 is the unrehearsed story of what happened when old-timers of the island were persuaded to revive the practice. And through the magic of words and the mystery of the catch, the film uncovers a spirituality rooted in the moon and the rhythm of the tides. Of Whales, the Moon and Men is more than adocumentary; it is a fresco of the myths and legends among the traditional fishing communities of Quebec. In French with English subtitles."
via: http://www.onf-nfb.gc.ca

2009/12/07

blanchot

in the firmament of time.

-when i looked at this nice picture for the second time, i thought to myself in german: oh blanchot has "segelohren" (german word for jug ears). i couldn´t remember the english word for "segelohren", and if you translate it literally, it means "sailing ears". and then i thought, well well...
sailing ears!
sailing on the oceans of the vibes, the words and sounds and winds. sailing away with the ears. i will coin this term now.
sailing ears.

the alphabet



roland barthes: a lover´s discourse: fragments (the alphabet of a lover)
gilles deleuze: abécedaire (the alphabet of a philosopher)
georges bataille: l´abbé c (the alphabet of a heterologist and novelist)
diderot & d´alembert: encyclopédie (the alphabet of universalist enlighteners)
johann heinrich zedler: großes vollständiges universal-lexicon aller wissenschaften und künste ("Great Complete Encyclopaedia of all Sciences and Arts") (the alphabet of a mega universalist)
krafft-ebing: pyschopathia sexualis (the alphabet of (alleged) sexual deviations and perversions)

going from a to z is kind of crazy.

2009/12/06

autoethnography

synthesizes both a postmodern ethnography, in which the realist conventions and objective observer position of standard ethnography have been called into question, and a postmodern autobiography, in which the notion of the coherent, individual self has been similarly called into question. The term has a double sense - referring either to the ethnography of one's own group or to autobiographical writing that has ethnographic interest. Thus, either a self (auto) ethnography or an autobiographical (auto) ethnography can be signaled by "autoethnography".
(Communication as Autoethnography, p. 110-122)
Autoethnography, as described by Authur Bochner and Carolyn Ellis shows “…people in the process of figuring out what to do, how to live, and the meaning of their struggles”
(Communication as Autoethnography, p. 111)
(Bochner, Authur P. and Carolyn S. Ellis, Communication as Autoethnography. Communication as… Perspectives on Theory. Eds.Gregory J. Sheperd, Jeffrey St.John, Ted Striphas. Thousand Oakes, CA: Sage, 2006.)
As Carolyn Ellis describes it, autoethnography uses the conventions of literary writing: research, writing, story, and method that connect the autobiographical and personal to the cultural, social, and political. Autoethnographic forms feature concrete action, emotion, embodiment, self-consciousness, and introspection portrayed in dialogue, scenes, characterization, and plot. Thus, autoethnography claims the conventions of literary writing.
Sondra Perl and Mimi Schwartz, authors of Writing True: The Art and Craft of Creative Nonfiction, state that research (family sources, notebooks and journals, interviews, surveys, printed media, the internet, and personal experience) has a central role in creative nonfiction (143 & 155-159).

"In departing from the traditional stance taken by anthropologists, who study 'others' ethnographically, this timely book (Auto/Ethnography: Rewriting the Self and the Social) explores forms of self-inscription on the part of both the ethnographer and those 'others' who are studied. Informed by developments in postmodernism, postcolonialism, and feminism, this is an original contribution to the growing dialogue across disciplinary boundaries. The chapters build upon recent reconsiderations of the uses and meaning of personal narrative to examine the ways in which selves and social forms are culturally constituted through biographical genres. Ethnic autobiography, self-reflexivity in ethnography, and native ethnography raise provocative questions about a range of issues for the contemporary scholar: authenticity of voice; ethnographic authority; and the degree to which autoethnography constitutes resistance to hegemonic bodies of discourse. Examined here in a variety of cultural and political contexts, writing about the self offers challenging insights into the construction and transformation of identities and cultural meanings." (text from amazon)

all of the orange words are words that really arouse me. i never figured that so many videos on youtube, blogs and literature i read are autoethnographic. but they are.
autoethnography, i like you.

ethnofiction

is a neologism which mainly refers to docufiction, a blend of documentary and fiction film. It’s used in visual anthropology as ethnography.
Jean Rouch is considered to be the father of ethnofiction. Ethnologist, he soon discovers that, always interfering in the event which it registers (the ritual), the camera becomes participant. The exigency in research of a non-participating camera is a preconcept denied by practice. Going further in his attempts, Jean Rouch introduces the actor as a tool in research. A new genre was born. (Jean Rouch and the Genesis of Ethnofiction – thesis by Brian Quist (Long Island University). Robert Flaherty, «avant la lettre», may be seen as the grandfather of this genre.
Being mainly used to refer to films in the domain of ethnology as a branch of science, the term ethnofiction is as well adequate to refer to documentary films in the field of arts with meaningful tradition, preceding and following Rouch’s oeuvre. It may also be useful to designate any fictional creation with an ethnographical background.
(quoted from wikipedia)

2009/12/05

marker





one of my favourite films by the cat lover, bolshevist, second life lover, travel guide writer, science-fiction filmmaker, owl lover, animal video artist, hater of pictures of himself, two birth dates holder, subway passionate, wrapped in mystery chris.marker

2009/12/04

the day job

a day job is the job you have to do to afford to do the work you want to do.
many good people worked in insurance companies as day jobs. franz kafka or wallace stevens for example. and also many interesting people were lawyers.
maybe if you do a job that is really EXTREMELY despicable it makes you more of a genius in your artistic work, because you start to despise yourself and this critical self-impeachment sharpens and alerts your senses and your consciousness even more and then you start to do what you feel you have to do with even more chutzpah and impudence and even more emphasis and vigor.
self-contempt!

history

is the shambles of the people.
hegel

2009/12/01

fresno

i don´t know why i love this name so much.
fresno.
maybe because fresno makes me think of a past i never had.
a woman arriving at a train station in fresno.
a man losing his memory in fresno.
a hospital on a meadowy mountain in fresno.
an airport in fresno.
a time in fresno.
that winter in fresno.
when everything changed in fresno.
when it all stayed the same in fresno.
the day my dog died in fresno.
walking through a street in fresno.
getting lost in fresno.
making love in fresno.
a hotel in fresno.
nowhere in fresno.
i´ve never been to fresno.